Their currents turn awry - Sample Essay

The use of comparison between death and sleep shows that Hamlet is considering death and he hopes it will be peaceful like sleep. But as he considers death “for in that sleep of death what dreams may come… must give us pause”, he wonders what happens after you die and if it is worse than the problems he has now and so because of that he has to stop and think about what to do, this shows that he is indecisive over this matter. The imagery, “slings and arrows of fortune”, shows that Hamlet thinks he has been almost attacked individually by fortune and he feels he is vulnerable.

Also, Hamlet questions the point of life because everyone dies eventually and he says that humans are subject to lots of hurt. Hamlet compares after death to an “undiscovered country” where “no traveler returns”, showing that Hamlet realizes that death is a one way process where there is no turning back. He then goes on to say that “conscience does make cowards of us all”, our conscience only confounds us from taking action, implementing that thoughts prevent us from taking action.

Hamlet in the third soliloquy uses distasteful language to offend Ophelia “their currents turn awry”, indicating to the reader that he has to be cruel in order to be kind. Hamlet conveys an appearance of anguish, which could possibly mean that the renunciation of love for revenge has become deeper and gradually turned into disgust with his mother and all women. The loss of faith in one woman extends to the loss of faith in all women and the loss of faith in all mankind. Hamlet can be seen as an ordinary man in pursuit of revenge. Hamlet’s soliloquies reveal his frustration with life.

This particular feeling of his is exemplified when he humiliates himself, “a rogue and pleasant slave am I”. Most of the essence created is through the use of language, “in a fiction, in a dream of passion”. “Coward and Villain” are contrasting words. Hamlet exaggerates when he says that he would “drown the stage with tears”. He uses a string of questions, “Am I a coward? Who calls me a Villain? Breaks my pate across? “. He uses animal imagery when he describes himself as a “muddy-mettled rascal”. Hamlet’s soliloquy is stimulated with different emotions. He uses imagery of lust.

His mother’s actions have colored his thoughts, “Heaven and hell” are contrasting words. The ghost has given him a suggestion of revenge. He uses alliteration in the phrase “Bloody, bawdy villain”. “Remorseless, treacherous, lecherous, kindless villain”, a sequence of adjectives is used to show how deeply he condemns Claudius, and this particular line emphasizes his hatred. He calls himself a “whore” as he is unable to avenge his father’s death. Hamlet is determined to take revenge for his father’s death and is willing to acquire the power of a “devil”. In the play, there are certain scenes where the reader knows Hamlet’s intentions for sure.

On the other hand, there are scenes where the reader is forced to assume his intentions. We know his intention when the play that he directed was taking place, but the conflict is that we do not know if that was his only intention throughout the entire story. When Hamlet is acting mad, he does not express any clues to the reader as to what his intentions are, which forces us to assume the intentions. We know that Hamlet at least acts mad, but he never expresses his intentions when in public. If the reader evaluates Hamlet’s actions in detail, one can find that there may be logic behind Hamlet’s variation of personalities.

Only around his loyal friend, Horatio, is when Hamlet acts as himself. Horatio knows about at least one of Hamlet’s intentions, which is to avenge his father’s death. Whether Hamlet acted insane, acted calm, acted ridiculous, or even if he really was insane, he confused the reader. After reading this play, we cannot conclude Hamlet’s one, true personality and his intentions throughout the play. His various actions and moods tell the reader that his soliloquies are the only source of information from Hamlet’s true self.